|
W
Brainstorm why the loudness or softness makes a difference in the music.
Create a list of likes/dislikes and differences for each version. Discuss.
H
Have them sing a song as loudly as they can. (You may need earplugs, but they
will enjoy this part!) Then have them sing the same song as softly as they
possibly can.
E
Dynamics: the degrees of loudness or softness in music; related to the
amplitude of the vibration that produces the sound; gradual increases in
loudness often create excitement, and vice versa.
How to recognize the degrees of dynamics used while listening to music.
How to notate the dynamic markings correctly on a song.
How to perform the dynamics that they read in music.
Be able to use common sense about where to apply certain dynamics. For
example, a lullaby wouldn't use any fortissimo markings, and a march probably
won't use many pianissimo markings.
Have them listen to several pieces of music.
Stand (or march around the room) when it is loud and crouch down (or float
around the room) when the music has a soft spot. In the middle dynamics, have
them simply walk. They could also create their own movements appropriate for
the dynamics they hear (depending on the song). Another way to show dynamics
is by either having their hands close together or arms spread wide to
demonstrate the varying degrees of sound.
Sing "Toaster Time" (page 60-61), "John Jacob Jingleheimer
Schmidt" (page 68-69), and "Stoopin at the Window" (page 73)
using p and f. [Share the Music-2nd grade]
Listen to "Puisque tout passe" by Paul Hindemith (page 70-71),
showing dynamic changes between loud and soft through bodily movements.
"La Comparsa" by Ernesto Lecuona (page 98-99), showing gradual
changes (crescendo and decrescendo) with movements (moving hands together and
apart).
The students will work together in a group to create their own band (with
instruments) in a parade that sounds like it is coming up, passing by, and
fading away using dynamic changes (including crescendo and decrescendo).
The students will echo short rhythmic and melodic patterns back to me by
clapping, using all four voices, and playing classroom instruments. This
could be an activity for the whole class, or it could be used as an
individual assessment.
They will complete a simple worksheet about the degrees of dynamics (page 4).
They will identify dynamic symbols, definitions, and words on a test (page
5).
R
They will rethink the dynamic variations to use for the song before they
perform it, remembering who is in their audience and what they want them to
hear through their particular interpretation of the music.
End performance task
The students will work in their cooperative learning groups to perform a song
using several different dynamic markings. They will sing the words and also
use classroom instruments of their choice to produce the dynamic changes
(accompanied by the recorded music on CD). They will complete, practice, and
perform it for the class.
They will complete a simple worksheet about dynamics
(http://www.cheney268.com/ESMusic/Reinke/definethedynamics.htm).
They will identify dynamic symbols, definitions, and words on a test
(http://www.cheney268.com/ESMusic/Reinke/dynamicsvocabularymatching.htm).
|